A catalogue system like LR or AP just does do the job here. What you need is to be able to browse your project as it evolves in collaboration. You also need something that will preview all graphic files and give you info about images metadata at a glance, etc. For example, you are working on an InDesign file or a website and have tons of linked images - Usually, you're no longer dealing with RAW images at that stage, but you may still need multiple versions of the same subject, or need to rate and tag photos that may or not make the publication. However, for a publishing studio who needs to manages projects assets and collaborate with many team members on a same project, it makes a lot more sense. I do know who use it, but let’s not go there. For a photographer handling hundreds of thousands of photos, it's pretty much an abomination and it makes very little sense. It allows you to browse your files and has some fancy features and labelling options on top. Let's call it a glorified Finder or Windows Explorer (the file manager, not the deceased browser). The main thing with Bridge is that it's NOT a cataloguing tool. What if (please bear with me for a minute here), Affinity has something more Like Bridge in Mind? Yes, I just wrote the sinful name that should not be mentioned, but. All these have one thing in common: they are Cataloguing tools. We’ve all pretty much assumed and wished that Affinity's DAM would be in the likes of Aperture, Lightroom or Capture One. Optionally a suffix may be added to the new file's image number, showing whether it derives directly from the original or from another derivative (Photoshop is notorious for not respecting all metadata.)ĭatabase is updated with the new file being derivative of the original file. If the new file's metadata has a match for an existing file, then existing file metadata is used to repopulate missing data in the file.
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If there has been a new file created it is checked for metadata. When a file is closed, this is also noted. When a file is edited, a file system watcher notes that the file was opened. I addition all metadata in the file is slurped into a database. If the master is unwritable, it's written to a sidecar file. This ID is written to a set of fields in meta data that most editors will leave at least one intact. This could be a checksum of the file preview image, or Camera model+serial number + shutter count. To budnip answers of the form "This is impossible" here's how it could be implemented:įor each master image generate a unique ID based on the content of the file. That question has a more general set of requirements and received no answers. Similar question: Advanced software to organize and manage a life of photos (They have server based software too that is big bucks.) Has to read metadata from images/sidecar files on startup. One man shop.įotostation: AFAIK no underlying database. Photomechanic is fast for keywording and culling, but has very limited search capability. Lightroom: Doesn't support PNG, very clunky interface, slow on large catalogs Nothing I've found supports version tracking. Simple non-destructive editing - crop, brightness, contrast. Reasonable speed with catalogs of more than 100,000 images.Ībility to rebuild corrupt database from sidecars.
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Support for previews of all common image formats and most raw formats. Relevant sidecars are also renamed, and the database updated with new file location/name. Through file system watching, name changes and directory reorganization are caught. Metadata is also written to sidecar files. If Photoshop is used to create a jpeg image, that too is tracked. If I edit a program in photoshop, it will mark the PSD file as being derived, restore as much of the metadata as the PSD format allows. Metadata applied to a master should propagate down to derived images.Ībility to track through external editing programs. Derived images are not linear but form a multi-branched tree. A master should be able to list derived images. Version tracking If a lower resolution or a black and white image is produced from a master, the system should show that it's a derived image, and allow access to the master. Synonyms - I can define "Picea glauca" as a synonmym for "White Spruce" entering one, enters the other. (With the correct database link, this comes free as a side effect of the point above. Parent items are automatically entered as keywords.
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Separate entries for Birds -> raptors -> falcon and Planes -> fighters -> falcon. (Additional fields are written to sidecars) Runs on Mac or on local apache web server.įull access to standard metadata, subject to limits of the file format.